I’ve been on a Tribe kick since going to Queens. After The Roots, it’s my favorite hip-hop group. I remember where I was the first time I heard Award Tour when I was a kid. I used to know all the words to Scenario, and that started because I was not expecting to hear RAWR, RWAR LIKE A DUNGEON DRAGON come out of Busta Rhyme’s mouth. Remembering when my mom tried to rap along to Electric Relaxation, I guess in an attempt to prove that she still was hip, still makes me cringe. (But not as bad as when she used “Chiggity check yourself before you wreck yourself!” as a catchphrase.)
Anyway, so when Tribe broke up and Q-Tip released his first solo album, I got Amplified as soon as it came out.
When I got to Let’s Ride, I paused. I had heard that beat before. And it wasn’t because I had heard Joe Pass’ play Giant Steps.
When I was younger, I often would experience déjà vu. Anther one that really freaked me out was when I was in Model United Nations. I was sitting across from a kid with a distinctly odd-looking face, and I had had visions of sitting across from a kid in a suit with an odd-looking face for years.
But, when I was in my bedroom in 1999, I envisioned being in the back of a car in a large city while Let’s Ride played.
In early 2000, I attended the National Young Leader’s Conference. I learned a lot of things that week, one of which being that definitely did not want to be a politician. I wanted to be one of the people who brought them down. Another thing I learned was that Washington, D.C., was where my “This is a moment where I’ll hear this song” feeling came from.
I took the train there and got a ride from my brother-in-law’s brother to where I was staying. My departure time didn’t mesh up with him driving me back to Union Station, so I got a cab. Before the cab arrived, I had put Amplified in my portable CD player, as was the way in ye olde days. Let’s Ride is like 15 minutes into the album, and I had been more or less alternating between it and Things Fall Apart (I considered myself to be a backpacker at this point in my life, so I was having a little crisis about You Got Me blowing up), so I wasn’t planning on this matching with anything. I just decided that I wanted to start my trip home with Kamaal Fareed.
Somewhere along the trip, that moment that matched with the first time I heard the song happened.
I mention this because of three things. On my road trip to Kansas, Brandon brought up the night I had when I started earning the nickname Epic. My car was in Newport News. My last memory was in Norfolk. I woke up in my childhood bedroom. I no longer lived there and, thankfully, my mom and grandmother were not home that night. As absolutely no one I know has any idea what I did (I disappeared from a party, I can’t recall how or why I went to Norfolk and have no idea how I got back to the Peninsula), the conjecture is that I died and simply respawned. If you’ve been following this blog for a while, I’ve had many, many times that involve moments where I don’t understand how I did not die, so it’s plausible that I know all the save points and cheat codes.
The other reason why I bring this up is because I had a very brief déjà vu moment in the hotel room in New York. It doesn’t happen to me as much anymore, so it sticks out that I experienced something that I swore I experienced before.
Years ago, the subtitle to the viaduct was “hoping the road of life isn’t a beltway.” I was because I was starting to have a suspicion that things sometimes felt familiar because this is the Matrix and I’m starting to remember looping through this. I have another instance where a former coworker can tell you that I completely predicted the person in the lobby waiting for him.
“He’s going to have some weird, giant sore [on his waist] that he’s going to show you because he thinks the hospital screwed up,” I said.
When Fred came back up from the lobby, he started swearing at me because I set him up. I did no such thing. I just … knew.
Where the hell’s this when the Mega Millions is obscenely large?
The third reason why I brought this all up is because I love looking up the origin of song samples. It’s why I listen to such weird music. I heard that one passage in a song that was a part of the backbone of 2001 and, the next thing I know, I’m grooving on an entire album of 1970s Icelandic acid jazz.
For some reason, I never searched for where J Dilla got that guitar loop until the Tribe pilgrimage. This album is pretty frickin’ cool.